Wed 12 Feb 2025 20:15 - 22:20
Mozart vs. Chevalier de Saint-George
Orchestra of the Eighteenth Century + Théotime Langlois de Swarte
Past event
Théotime Langlois de Swarte (photo Marco Borggreve)

Mozart vs. Chevalier de Saint-George

Orchestra of the Eighteenth Century + Théotime Langlois de Swarte
Wed 12 Feb 2025 20:15 - 22:20
Wed 12 Feb 2025
20:15 - 22:20
  • Wed 12 Feb 2025
    20:15 - 22:20
    Interval 21:05
    Grote Zaal
    Past event

Program

Joseph Bologne (Chevalier de Saint-George) Enfin une foule importune uit L’Amant anonyme   
Wolfgang Amadeus Mozart Violin Concerto No. 3 ‘Strasbourg’ KV 216 
Joseph Bologne (Chevalier de Saint-George) Selection from the first ballet suite of L’Amant anonyme 
Joseph Bologne (Chevalier de Saint-George) Adagio from Violin Concerto in A Op. 7
Joseph Bologne (Chevalier de Saint-George) Selection from the second ballet suite of L’Amant anonyme 
Johann Christian Bach Ouverture Amadis des Gaules 
Joseph Bologne (Chevalier de Saint-George) Symphony in D Op. 11 No. 2  
Wolfgang Amadeus Mozart Symphony No. 31 'Paris' KV 297(300a)

Credits

Orchestra of the Eighteenth Century
Théotime Langlois de Swarte violin

Baroque violin sensation plays unique violin repertoire

The 18th-century composer, violinist, and fencing champion Joseph Bologne ‘Chevalier de Saint-George’ was the illegitimate son of a plantation manager and an enslaved woman in Guadeloupe. He went to Paris at a young age, where he found himself in the midst of a city on the brink of revolution. He quickly made a name for himself in the highest circles of Parisian society. The 2022 film Chevalier tells his extraordinary life story. This is a unique opportunity to hear his music, performed by the acclaimed baroque violinist Théotime Langlois de Swarte. This young Frenchman is considered ‘the great sensation of the baroque violin’ (Volkskrant).

Théotime also performs the solo part in the first major masterpiece by Bologne’s contemporary Mozart, the lithe Third Violin Concerto. Equally beloved is Mozart’s Parisian Symphony, written in Paris at the age of 22, and notably scored for a large orchestra. Mozart incorporates something that was popular in Paris at the time: a large crescendo, played in unison – beautiful.

Please note: the programme has been changed slightly since the first publication.